Bryan David’s studio contains the following:
Mogami and Livewire cables.
Alesis 3630 Compressor, Limiter, Noise Gate: Joel Cameron Mod. (2)
PreSonus Firestudio. (2)
PreSonus Bluetube tube preamps. (2)
Niles HD speaker control.
API 512 preamps. (2)
Bane Modified T1953 w/ swapped EH tubes.
Pro Channel (mullard) (2)
SansAmp Bass DI and preamp.
ISP Decimator noise gate.
Focusrite Voicemaster Platinum Pro Channel Strip/Preamp w/ A/D converter card.
Universal Audio LA-610 channel strip preamp and compressor/limiter.
Lexicon MX300 reverb/delay
DBX 386 Tube Pre (2)
BBE 882i Sonic Maximizer (2)
vintage Maxon Stereo Chorus.
Electro-Harmonix Big Muff Pi. (2)
Electro-Harmonix English Muffin.
Electro-Harmonix Little Big Muff.
Boss DD-6 Delay.
VOX Time Machine Delay.
VOX Distortion Booster (like a tube screamer).

Consoles: (mixing boards)
Mackie 24.8 analog.
1976 Tascam 388 Analog Tape reel to reel 1/4”.
Alesis Multimix 8 Firewire (live/mobile only).

Plugins from: (effects)
Line 6, SSL, Universal Audio, Ampeg SVX

Mastering software:
T-Racks 24, Soundforge 6

Recording/editing software:
Cubase SX3, Cubase 5

Vocal editing:
Antares Autotune, Melodyne DNA

Monitors: (speakers)
Yamaha, Cambridge and Sony

Blue Bluebird.
AKG D112.
Shure SM57. (4)
Sennheiser MD421. (2)
Oktava 319 mkII. (2)
Shure SM58. (2)
1968 Electro-Voice RE55.
1970 Electro-Voice 644.
1968 Electro-Voice 664. (2)
1968 Electro-Voice Unisphere.
Shure SM7b.
Oktava 012.
Cascade Fat Head II with Lundahl 2912.

Keyboards/Midi controllers:
Yamaha KX61 midi, Yamaha DJX

1959 RI Marshall Plexi -Tube Amp-
1972 Fender Bassman -Tube Amp-
Fender 1991 Rock Pro Showman (100watt tube drive, solidstate clean channel) -Tube/Solidstate Amp-
VOX AC100 (AC30 on channel 1, AC30 “superlead” on channel 2) -Tube Amp-
Orange Tiny Terror (Orange’s recording tube amp) -Tube Amp-
Mesa/Boogie Dual Rectifier (solo 3 channel rectified tube) -Tube Amp-
Ampeg SVT 3 Pro (bass amp) -Tube-
RadioShack 1987 8 series -Solid State Guitar Amp-

2x12” Warfdale (open guitar cab).
2x12” Celestion Vintage 30’s (semi-open guitar cab).
2x12” Celestion Neo-Dog’s (closed-back guitar cab).

1x8” Fender Jenson (semi-open guitar cab).
2x12 ‘72 Bassman (closed-back guitar/bas cab).
4x10 Ampeg HLF (ported bass guitar cab).

Emulation abilities(Line6 toneport):
Fender, Marshall, Soldano, Mesa/Boogie, Roland, VOX, and Orange -Direct Input-

1999 Fender Jazz Deluxe Active.
2001 Gibson TV series Les Paul.
2005 Epiphone 335 Custom.
2000 Epiphone Les Paul Standard.
1996 Gibson “Hulk” SG.
2010 Gibson Black Beauty Les Paul Custom.
2003 Gibson SG Special
1967 Univox 22.
1974 Memphis Bass (no series, rare).
1996 Ibanez BB (pre-GIO series).
2008 Fender American Telecaster.
1972 RI Fender Telecaster Deluxe.
1969 RI Fender Telecaster Thinline (Little ‘59 in bridge pickup).
2004 Fender Telecaster MIM Standard.
1994 Fender MIM Stratocaster (Invader installed middle).
1999 Fender Jazz Bass Standard.
2004 Tokai handbuilt 335.
2003 Rickenbacker 360.

DW Collectors Series 10x10” tom, 9x12” tom, 14x14” floor tom, 15x16” floor tom, 18x22” kick.
1978 Ludwig turquoise Classic glitter 9x12” tom, 16x16” floor tom, 14x22 kick.

2007 Orange County Maple Snare 14x7” .
1980 Pearl Steel Snare 14 x 5.5” .
1999 Ddrum 13 x 7” Maple Custom .
1978 Ludwig 14 x 5” Acrolite .
1960 Ludwig 14 x 5.5” Supraphonic .
1999 Pearl 14 x 8” Vinnie Paul Limited .
2002 Pearl Masters Studio Birch 10ply Custom Limited Edition 5 x 14”

Sabian AAX 18” Crash.
Sabian AAX 20” Crash. (2)
Sabian AAX 20” Studio Ride.
Sabian AAX 13” Hi-hats.
Zildjian 14” Mastersound Hi-Hats.
Sabian AA 14” Hi-Hats
Wuhan 18” China.
Zildjian 20” A-Custom Ride.
Zildjian 17” A Custom Crash
Zildjian 17” “A” Crashes. (2)

Tambourines, shakers and noise makers…

…there may be other stuff that I’m forgetting at the moment, and I’m always adding new stuff, so I’ll try to keep things updated.